System #25 Fashion but it’s felt and understood

but it’s felt and understood by contemporaries

Mariëtte Wijne

chaque habitation raconte son projet et sa vision

featuring a curated selection of images and words from renowned voices and fresh talent

and to reconsider

System #25 Fashion but it’s felt and understoodSpring Summer 2026 One of the most compelling aspects of Jonathan Andersons first year at Dior has been the way he distorts and collapses notions of time. Since his arrival, the pendulum has swung between 18th century Chardin paintings, late 20th century Warhol portraits of Lee Radziwill and Jean Michel Basquiat, and the new campaign imagery he creates for the house with David Sims, already forming the visual imprint of his tenure. His collections,